Platemarks: Etchings and Aquatints

Cristea Roberts Gallery presents a selection of master prints by some of the 20th century's most iconic artists.

The group exhibition showcases the dramatic effects of intaglio printmaking techniques as well as illustrating the wider relevance of printmaking within art history. Platemarks also features prints by contemporary artists who continue to experiment with the boundaries of the printed image.

Late Opening

Thursday 5 February, until 8pm

Join us for a late opening of Platemarks: Etchings and Aquatints and Georg Baselitz: Geschichte on Thursday 5 February when West End galleries will open for the 2026 edition of Art of London’s Art After Dark.

Drop in, booking not required.

Exhibition e-book

Exhibition e-book

Click here to view the e-catalogue

Selected Works

Jim Dine

Five Paintbrushes (fifth state), 1973

Etching on Copperplate Deluxe paper

Paper: 70.4 x 99.7 cm - Image: 36.6 x 69.8 cm Paper: 27 3/4 x 39 1/4 in - Image: 14 3/8 x 27 1/2 in

Edition of 19

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Joan Miró

Tête au soleil couchant, 1967

Edition of 75

Joan Miró

Le Scieur de Long, 1968

Edition of 75

Eduardo Chillida

Saludo a Parmenides II, 1998

Etching on Paperki paper

Paper: 71.0 x 90.5 cm – Image: 32.0 x 44.0 cm Paper: 28 x 35 ⅝ in – Image: 12 ½ 17 ⅓ in

Edition of 50

Galerie Lelong, Paris

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Ali Banisadr

The Rising Sun, 2022

Colour etching with aquatint, spitbite, drypoint, and burnisher on Hahnemühle Copperplate Bright White 350gsm paper

Paper: 78.1 x 151.1 cm - Image: 60.1 x 135.2 cm Paper: 30 3/4 x 59 1/2 in - Image: 23 5/8 x 53 1/4 in

Edition of 35

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Jasper Johns; detail of Savarin 2 (Wash and line), 1978