This Online Viewing Room presents a selection of hand-painted etchings by Howard Hodgkin, which form part of his last body of printed work, completed several months before his death in March 2017.
We are delighted to present four new still-life screenprints by Clare Woods in this exclusive Online Viewing Room.
This Online Viewing Room presents an in depth look at four pivotal works made in the 1970s by the British artist Gillian Ayres.
We are delighted to announce the launch of a new series of editions, entitled Running People., by Julian Opie.
We are delighted to share Yinka Shonibare CBE’s new print, which marks the 400th anniversary of the sailing of the Mayflower ship to America and explores principles of democracy, equality and human rights.
This Online Viewing Room highlights twenty key works by Patrick Caulfield dating from 1968 to the final print he ever made in 2005, selected by Alan Cristea.
For those of us currently unable to leave our urban homes, this Online Viewing Room offers a brief moment of escape to the countryside.
For this exclusive Online Viewing Room, Cristea Roberts Gallery is delighted to present new and recent etchings by Lebanese artist, Etel Adnan.
This Online Viewing Room presents prints by Ian Davenport that are inspired by the changing seasons and quotidian light effects.
Featuring three new hand-painted screenprints with carborundum by Joe Tilson, alongside recent works, all of which reflect and celebrate his passion for the city of Venice and its architectural history.
Featuring meticulous etchings with aquatint by Paul Noble, depicting what Noble describes as 'sublime prisons'.
Featuring a new hand-coloured etching, an ironic, imaginary view of the aftereffects of the 1755 Lisbon earthquake, by Pablo Bronstein.
New drawings by Marie Harnett which celebrate intimate, fleeting moments of drama, beauty and emotion from contemporary film.
Featuring prints and paintings by Richard Woods that poke fun at the British cult of home ownership, renovation and DIY.
Featuring new woodcuts, presented for the first time, by Christiane Baumgartner.
Featuring four new monoprints and recent collages by Clare Woods.
Highlighting over ten key works by Michael Craig-Martin from the last 30 years, selected by Alan Cristea.
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