Idris Khan’s multi-faceted practice is often rooted in the canon of art history, and informed by the language of colour, rhythm and classical music. In this new body of work, these sensory influences are intertwined and draw on the work of the impressionist painter Claude Monet (1840 – 1926) and his seminal painting of waterlilies at dusk entitled Soleil Couchant, 1914–1926, now housed in the Musée de l'Orangerie, Paris.