The Inside Garden, 2025, is a new screenprint in an edition of thirty that continues the artist’s use of flowers as a memento mori, depicting their final moments of beauty before their inevitable demise, contrasting ideas of vitality and decay.

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Woods’ approach to printmaking is striking for its painterly effect, as the artist jostles between legibility and representation, simultaneously deconstructing and reconstructing her subject. Through her expressive style, Woods emphasises the formal elements of the composition, drawing the viewer’s attention to colour, line, and shape. Throughout her oeuvre, Woods disrupts the historical genre of still life by obscuring, cropping, and repositioning her subject’s form, reminding the viewer that not everything is as it seems.

Woods is preoccupied with depicting polarities, mundanity and beauty, familiarity and discomfort, life and our mortality.

In July 2026 Clare Woods will open a major solo exhibition, Garden Without Seasons, at the Pitzhanger Manor and Gallery, London, where she will take the tropical greenhouse and its flora as her central motif.